Homework
I’ve had a few questions about what my coursework is like, so this should give you a rough idea. I’m posting up bits from what I did in my Literature and its Translation class (which I’m rather proud of to be honest, did you really think I’d post it up if it was rubbish). For my first piece, I decided to start off small and relatively "simple"..simple being subjective here (and also because I'm not being graded for this) - the snippet of a dialogue between Hang Tuah and Gusti Putri – probably my favouritest Malay dialogue... EVER? I’ve left out the literal translation but do give it a go, its amazing the different results you get. I myself, am posting up my fourth draft here. The commentary is slightly rubbish as I put it together in like 15 minutes so please excuse that ; )

Foreword: This excerpt was taken from the movie Puteri Gunung Ledang (lit. Princess of Mount Ophir), a very famous Malay legend set in the late 15th century. A forbidden romance blossoms between Gusti Putri, a Javanese Hindu princess and Hang Tuah, a Malay Muslim warrior from Melaka – against a backdrop of war and mysticism.
Setapak melangkah
Dua langkah ingatan kanda kepada dinda
Adinda bersumpah jikalau kekanda tidak kembali
Adinda akan menyusul kekanda
Mengijab pada tanah yang sama
Bernafas pada udara yang sama
Belayar berbelok-belok
Sauh dibongkar ditempat tenang
Yang tinggal hati tak elok
Yang pergi hati tak senang
Bila sampai waktu kita akan bersama
Challenges:
i) Rhyming where it rhymed in the source poem and maintaining the meter and rhythm to catch the essence of the pantun.
ii) Coming up with a way to convey “kanda” and “adinda” most accurately in English, as the usage of "you" and "I" eliminated the mood set by the source text.
Solutions:
i) Playing around with the meter, and switching the order in a sentence
ii) Using the word “thou” to solve both of the problems mentioned above.
- “Thou” is the mostly archaic second person singular pronoun in English.
- Originally, “thou” was simply the singular counterpart to the plural pronoun “ye” descended from an ancient Indo-European root. (makes sense to use it in this context as Puteri Gunung Ledang has Indonesian roots).
-In imitation of the French practice, “thou” was later used to express familiarity, intimacy, or disrespect. (Expresses the terms “kanda” and “adinda” more accurately as compared to using “you” and “I”.
- After “thou” fell out of fashion, it was primarily retained in fixed rituals, so that it eventually came to connote formality and solemnity. (the language used in the pantun is Classic Malay – and as it is not used in daily conversations therefore this lends a feeling of formality to the text.)
And the result is:
For every step thy take,
Two steps closer, my thoughts of thee.
Thy swear that if thou should not return,
Thy will seek for thee,
Betrothed, the same earth as thou,
Breathing air that of the same as thou.
Sailing the waves,
In calm shores, anchored,
What is left, a heart that caves,
What is gone, a heart unsettled
The time will come when we shall be together.
- Audra K. Roslani
And there you have it! I know it’s not the best of translations but hey I’m working on it. It’s one of those things that comes to you just as you’re about to fall asleep and constantly needs reworking and lets bear in my mind, I’m not a literary person to start with so I’m only just getting the hang of it. So far so good I’m loving it! Note the rhyming bits I tried to follow as close as possible to the original, if you look at the physical shape of the translation as well, it's almost the same..yeahhh! Again, it’s my interpretation of the dialogue (and just bits of my explanation, can't be arsed to put the whole thing up) but I hope you guys enjoyed it all the same : )